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From Chapter 2: The satirical Dekker might class "tobacconists" with "feather-makers, cobweb-lawne-weavers, perfumers, young country gentlemen and fools," but he bears invaluable witness to the devotion of the fashionable men of the day to the "costlye and gentleman-like Smoak." It was customary for a man to carry a case of pipes about with him. In a play of 1609 ("Everie Woman in her Humour") there is an inventory of the contents of a gentleman's pocket, with a value given for each item, which displays certainly a curious assortment of articles. First comes a brush and comb worth fivepence, and next a looking-glass worth three halfpence. With these aids to vanity are a case of tobacco-pipes valued at fourpence, half an ounce of tobacco valued at sixpence, and three pence in coin, or, as it is quaintly worded, "in money and golde." Satirists of course made fun of the smoker's pocketful of apparatus. A pamphleteer of 1609 says: "I behelde pipes in his pocket; now he draweth forth his tinder-box and his touchwood, and falleth to his tacklings; sure his throat is on fire, the smoke flyeth so fast from his mouth."
From Chapter 6: Many of his followers smoked, sometimes apparently to such an extent as to cause scandal among their brethren. The following is an entry in the minutes of the Friends' Monthly Meeting at Hardshaw, Lancashire: "14th of 4th mo. 1691. It being considered that the too frequent use of smoking Tobacco is inconsistent with friends holy profession, it is desired that such as have occasion to make use thereof take it privately, neither too publicly in their own houses, nor by the highways, streets, or in alehouses or elsewhere, tending to the abetting the common excess." Another Lancashire Monthly Meeting, Penketh, under date "18th 8th mo. 1691" suggested that Friends were "not to smoke during their labour or occupation, but to leave their work and take it privately"—a suggestion which clearly proceeded from non- smokers. The smug propriety of these recommendations to enjoy a smoke in private is delightful.
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From Chapter 1: In the Wallace Collection at Hertford House is a pouch or case labelled as having belonged to and been used by Sir Walter Raleigh. This pouch contains several clay pipes. It was perhaps this same pouch or case which once upon a time figured in Ralph Thoresby's museum at Leeds, and is described by Thoresby himself in his "Ducatus Leodiensis," 1715. Curiously enough, a few years ago when excavations were being made around the foundations of Raleigh's house at Youghal a clay pipe-bowl was dug up which in size, shape, &c., was exactly like the pipes in the Wallace exhibit. Raleigh lived and no doubt smoked in the Youghal house, so it is quite possible that the bowl found belonged to one of the pipes actually smoked by him. In the garden of the Youghal house, by the way, they used to show the tree—perhaps still do so—under which Raleigh was sitting, smoking his pipe, when his servant drenched him. Thus the tradition, which, as we have seen, dates from 1708 only, has obtained two local habitations—Youghal and Durham House on the Adelphi site.
From Chapter 7: It has sometimes been said that Swift smoked; but this is a mistake. He had a fancy for taking tobacco in a slightly different way from the fashionable mode of taking snuff. He told Stella that he had left off snuff altogether, and then in the very next sentence remarked that he had "a noble roll of tobacco for grating, very good." And in a later letter to Stella, May 24, 1711, he asked if she still snuffed, and went on to say, in sentences that seem to contradict one another: "I have left it off, and when anybody offers me their box, I take about a tenth part of what I used to do, then just smell to it, and privately fling the rest away. I keep to my tobacco still, as you say; but even much less of that than formerly, only mornings and evenings, and very seldom in the day." One might infer from this that he smoked, but this Swift never did. His practice was to snuff up cut and dried tobacco, which was sometimes just coloured with Spanish snuff. This he did all his life, but as the mixture he took was not technically snuff, he never owned that he took snuff. Another cleric of the period, well known to fame, who took snuff but also loved his pipe, was Samuel Wesley, rector of Epworth, Lincolnshire, from 1697 to 1735. He not only smoked his pipe, but sang its praises: In these raw mornings, when I'm freezing ripe, What can compare with a tobacco-pipe? Primed, cocked and toucht, 'twould better heat a man Than ten Bath Faggots or Scotch warming-pan. Samuel's greater son, John Wesley, did not share the parental love of a pipe. He spoke of the use of tobacco as "an uncleanly and unwholesome self-indulgence," and described snuffing as "a silly, nasty, dirty custom."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: A curious feature of tobacco-manners among fashionable smokers of the period was the practice of passing a pipe from one to another, after the fashion of the "loving cup." There is a scene in "Greene's Tu Quoque," 1614, laid in a fashionable ordinary, where the London gallants meet as usual, and one says to a companion who is smoking: "Please you to impart your smoke?" "Very willingly, sir," says the smoker. Number two takes a whiff or two and courteously says: "In good faith, a pipe of excellent vapour!" The owner of the pipe then explains that it is "the best the house yields," whereupon the other immediately depreciates it, saying affectedly: "Had you it in the house? I thought it had been your own: 'tis not so good now as I took it for!" Another writer of this time speaks of one pipe of tobacco sufficing "three or four men at once."
From Chapter 7: It seems to have been taken for granted that country parsons smoked. smoking was universal among their male parishioners from the squire to the labourer (when he could afford it), so that it was only natural that the parson, with little to do, and in those days not too much inclination to do it, should be as fond of his pipe as the rest of the world around him. In a World of 1756 there is an account of a country gentleman entertaining one evening the vicar of the parish, and the host as a matter of course proceeds to order a bottle of wine with pipes and tobacco to be placed on the table. The vicar forthwith "filled his pipe, and drank very cordially to my friend," his host. One cannot doubt that Laurence Sterne, that most remarkable of country parsons, smoked. His "My Uncle Toby" is among the immortals, and Toby without his pipe is unimaginable.
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